侨福当代美术馆·北京荣幸地宣布，将于2025年5月17日至11月17日呈现艺术家蒋友柏的首次美术馆个展“诗意的栖居”，由策展人邵亦杨策展，展出逾九十件绘画、雕塑及数字影像作品。展览主展厅设于美术馆，并延伸至侨福芳草地公共空间及北京怡亨酒店艺术家驻留项目现场。

展览以“诗意的栖居”为题，源自哲学家海德格尔对荷尔德林诗句的诠释，聚焦蒋友柏如何在自然与神化、个体与群体、原始能量与科技之间寻求创作的平衡。他融合东方水墨哲思与西方抽象表现的精神力量，构建全球化时代的视觉语言。

The Parkview Museum·Beijing is honoured to present Poetic Dwelling, the first solo museum exhibition of artist Demos Chiang, on view from May 17 to November 17, 2025, curated by Shao Yiyang and featuring over 90 works including paintings, sculptures and digital media. The exhibition spans The Parkview Museum·Beijing, the public spaces of Parkview Green FangCaoDi, and an artist residency at Hotel Éclat Beijing.

Rooted in philosopher Martin Heidegger’s interpretation of a verse by Friedrich Hölderlin, Poetic Dwelling explores Chiang’s balance between nature and mythology, individuality and collectivity, instinct and technology. His visual language merges the philosophical lyricism of traditional Chinese ink painting with Western abstract expressionism to reflect the globalized psyche.

蒋友柏

Demos Chiang

蒋友柏，1976年生于台湾。其艺术实践跨越绘画、雕塑、装置、数字艺术及潮流艺术等多种媒介。蒋友柏的作品以拟人化动物形象传达对生命与社会的细腻观察与人文关怀，强调万物有灵、众生平等的理念，并映射出他在面对人生百态时所坚持的真诚与执着。每件绘画作品配以英文题诗，情感真挚、寓意深远，不仅承袭中国文人书画题跋传统，也展现东西方文化融合的独特想象力。其创作手法大胆多样，涵盖油漆滴淋、颜料沾印、刮刀刻划、喷漆着色及工笔描绘等技艺，呈现多层次肌理与丰富景深，赋予画面鲜明的速度感与流动性。在雕塑领域，蒋友柏则聚焦生命与时空等哲思议题，通过3D打印与手工精修等方式，展现他对艺术、设计与时尚的融合与省思。其作品被龙美术馆、宝龙美术馆、阿那亚、安缦集团、寒舍集团、世尊设计集团、忠泰集团与微风集团等机构与企业典藏。

Born in Taiwan in 1976, Demos Chiang is a multidisciplinary artist whose practice traverses painting, sculpture, installation, digital media, and urban visual culture. Drawing on a vocabulary of anthropomorphized animal figures, Chiang investigates themes of empathy, equality, and the interconnectedness of all life forms. His work is rooted in a deep sensitivity to the complexities of the human experience and broader sociocultural dynamics, underpinned by a consistent and introspective personal ethos. Each painting is paired with an original English verse—emotionally resonant and philosophically charged—echoing the literati tradition of poetic inscription while reimagining it through a cross-cultural lens. His practice is defined by bold material experimentation, incorporating dripping enamel, pigment transfers, palette knife incisions, aerosol interventions, and fine-line detailing to create richly layered surfaces and visual depth. In his sculptural works, Chiang delves into metaphysical inquiries surrounding time and existence, employing a hybrid methodology of 3D printing and hand-finishing that reflects his interdisciplinary engagement with art, design, and contemporary aesthetics. His work is held in the permanent collections of Long Museum, Powerlong Museum, Aranya, Aman Group, Humble House Group, C’est Bon Design Group, Jut Group, and Breeze Group.

邵亦杨

Shao Yiyang

邵亦杨，中央美术学院教授，博士生导师，人文学院副院长，主要著作有：《后现代之后》（2008 上海人民美术出版社）《穿越后现代》(2012，北京大学出版社),《西方美术史》(2014,北京大学出版社)，《20世纪现当代艺术史》(2018/2021），上海人民美术出版社)，《全球视野下的当代艺术》（2019，北京大学出版社） 《西方艺术:一部视觉的历史》（2023，北京大学出版社）。主持翻译《文艺复兴新艺术史》（2024，江苏凤凰美术出版社）。

Shao Yiyang is a professor, Ph.D. supervisor, and deputy dean of the School of Humanities at the Central Academy of Fine Arts (CAFA) in Beijing. Her major publications include Art after Postmodern (2008, Shanghai People's Fine Arts Publishing House), Beyond Postmodern (2012, Peking University Press), Western Art History (2014, Peking University Press), 20th Century Modern and Contemporary Art History (2018/2021, Shanghai People's Fine Arts Publishing House), Global Perspective in Contemporary Art (2019, Peking University Press), and Western Art: A Visual History (2023, Peking University Press). In 2024, she led the Chinese translation of A New History of Renaissance Art (Jiangsu Phoenix Fine Arts Publishing House).